Official Website： http://www.festival-cannes.fr/
I was lucky to witness a live ceremony for Ellen K on the Walk of Fame. The reality is that I have tons and tons of miles to go before I reached the place I dream of being. But why should I be ashamed of my dreams? No, if I truly believe this is something I do like and want to be involved, I will tell you, and accept the criticisms, sneers, or insult that you may give me. I can be laughed at. However I only live once, there is nothing, nothing I will trade for my dreams.
So it comes the topic of this post: Festibal De Cannes.
It has been long known by me as a prestige and global events, but never have I explore deeper what it means and how it was hosted. Today, please go with me, let's unveil the mysterious front of this famous film festival.
---------------------------------------------------
From the official Website, ABOUT session--
What is the mission of the Festival de Cannes?
Ever
since its creation, the Festival de Cannes has remained faithful to its
founding purpose: to draw attention to and raise the profile of films
with the aim of contributing towards the development of cinema, boosting
the film industry worldwide and celebrating cinema at an international
level.
What is the Official Selection?
The Official Selection
serves to highlight the diversity of cinematic creation through its
different sections, the two most important of which are the Competition
and Un Certain Regard. Films that are representative of “arthouse cinema
with a wide audience appeal” are presented in Competition, and Un
Certain Regard focuses on works that have an original aim and aesthetic.
The Official Selection also includes Out of Competition films, Special
Screenings and Midnight Screenings, Cannes Classics and the
Cinéfondation selection targeting film schools.
What do the “red stairs” represent today?
These
are one aspect of the event and, without doubt, the part of the
festival that draws the most media attention. For the organisation, they
represent above all an opportunity to give an initial and equally
special welcome to both the world’s greatest film artists and emerging
talent. They also represent an opportunity to honour the creativity of
those artists on whom the Festival’s prestige depends.
What do the non-competitive selections consist of?
The
Out of Competition films are often films that have a big impact on the
cinematic calendar, and the Special Screenings and Midnight Screenings
represent a special opportunity to view more personal works. Restored
copies of films that are important in the history of cinema are brought
back to life at Cannes Classics, which also offers tributes and
documentaries focusing on cinema. In addition to the Selection, cinema
lovers can also explore the world of cinema in a different way by
attending lessons, tributes, exhibitions and so on.
Where do short films fit in at Cannes?
At
Cannes, short films feature in the Competition, at the end of which the
short films Jury awards a Palme d’or, and in the Short Film Corner, a
professional area dedicated to meeting people, exchanging ideas and
promoting films.
En 2010, the Festival created "Cannes Short Film" to bring these two entities together in a complementary dynamic in an attempt to offer an all-encompassing panorama of short film production worldwide, as well as to stimulate the creativity of short film artists.
En 2010, the Festival created "Cannes Short Film" to bring these two entities together in a complementary dynamic in an attempt to offer an all-encompassing panorama of short film production worldwide, as well as to stimulate the creativity of short film artists.
What initiatives has the Festival set up to encourage film production?
The
Festival is very keen to discover new talent and act as a springboard
for creation. The development of “Cannes Short Film” is just one example
of this. A number of initiatives aimed at supporting the talent of the
future have already been introduced: the Caméra d’Or is awarded to the
best film presented either in the Official Selection, during Directors´
Fortnight or during the Semaine de la Critique.
The
Cinéfondation, which serves to showcase new trends in the film industry,
screens films from film schools as part of the Official Selection, as
well as organising the Résidence and the Atelier.
How do you maintain the Festival’s international dimension?
The
films selected and the professionals whose work is recognised at the
Festival come from around the world, and there is international coverage
of the event in the media. In addition, the Festival de Cannes offers
filmmaking countries the chance to showcase the richness of their cinema
in the Village international, which hosted over 40 countries in 2011.
To
further enhance the Festival’s international dimension, six new
languages were added to the official website in 2010. Internet users can
now follow the event not only in French and English, but also in
Spanish, Portuguese, Chinese, Japanese, Arabic and Russian.
Does the Marché du film represent the economic side of the Festival de Cannes?
From
a very early stage, the Festival de Cannes has placed an emphasis on
its Marché du Film as a way of promoting the dual cultural and economic
nature of cinema. Today, boasting in excess of 10,000 participants and
4,000 films, it is the world’s leading market, serving to add dynamism
to the global film industry. It forms an integral part of the Festival
in the sense that it also facilitates networking and provides accredited
professionals with the services and tools they need in order to
exchange information, hold negotiations and uncover new opportunities.
What does the Festival do for the general public?
A
film’s success and its director’s reputation depend above all on how it
is received in cinemas. Despite being an event for film professionals
only, the Festival is mindful of this reality and is taking steps to
improve the way it reaches film enthusiasts.
In 2011, the opening film was released in French cinemas on the same day as its screening at Cannes and the Opening ceremony was broadcast in cinemas enabling audiences to experience the Festival launch night live.
In 2011, the opening film was released in French cinemas on the same day as its screening at Cannes and the Opening ceremony was broadcast in cinemas enabling audiences to experience the Festival launch night live.
At
Cannes, the Cinéma de la Plage, an outdoor cinema, screens a different
film each night - and, since 2010, even the occasional world première –
from its theme-based programme. These open-air screenings are open to
anyone who works closely with the general public.
The Festival is going to turn 65, what is the secret to its lasting success?
While
maintaining a strong connection to its past, the Festival is very ready
to take on board new and original concepts. Over the years, it has
evolved, all the while seeking to preserve its core values: a passion
for cinema, the discovery of new talent, and bringing together
professionals and journalists from around the world with the aim of
contributing to the creation and distribution of films.
During the Festival´s 65th edition, to be held from 16th to 27th May 2012, projects will be conceived, experiences will be shared and different cultures will come into contact: it is this dynamism that makes the Festival de Cannes a true reflection of its time.
During the Festival´s 65th edition, to be held from 16th to 27th May 2012, projects will be conceived, experiences will be shared and different cultures will come into contact: it is this dynamism that makes the Festival de Cannes a true reflection of its time.
----------------------------------------------------------
iPhone Apps
If you have an iPhone, there are two free apps you can download.
1. Festibal De Cannes
2. Cinnando For iPhone
---------------------------------------------------------------
Producer Workshops
Apart from what seems glamorous and seems impossible to reach, please believe there is always more that what was put in the front. The producers looks like normal people aren't they?
Festival De Cannes is open to the public to register as well, the fee for a producer workshop is around 279€，that is cheaper than a LSD Cannon Camera.
Every day an individually tailored program will give you the opportunity to meet the various partners your projects require, be it a co-producer, distributor, sales agent or financier.
An exclusive program of meet-and-greets!
Launched in 2004, the Producers Network hosts 550 producers from
around the world in a series of meetings and events. Created to
stimulate international coproduction and project financing, this event
is specially designed for producers.Every day an individually tailored program will give you the opportunity to meet the various partners your projects require, be it a co-producer, distributor, sales agent or financier.
-------- -------- -------- -------- -------- --------
More to find in their partner organization
If you are keen, there will be more information to find in their partner organization webpage.
The Israel Film Fund ------ http://www.filmfund.org.il/default.asp
Promagenes Colombia ------ http://www.proimagenescolombia.com/index.php?lang=en
NFI ------ http://www.nfi.no/
VAF ------ http://www.vaf.be/taal/en/
FlandersImage ------http://www.flandersimage.com/
FlandersImage ------http://www.flandersimage.com/
SODEC ------ http://www.sodec.gouv.qc.ca/fr/home/english
Telefilm Canada ------http://www.dohafilminstitute.com/
DFI ------ http://www.telefilm.ca/en/?q=en
I did not find an English version for the last one, therefore I just leave it blank here. This is only a list of partner. Festival De Cannes also give out information of their sponsors and associated partners. I always thought making film will means no money to earn, according to Prof. Douglas.
I know that is not my only obstacle. To be frankly, I am not a fantastic photographer, I stopped learning arts as in drawing when my mom banded that course for me when I was 4 years old. I continued music training until 13, that is 9 years of study. But so what, I have not performed on a school level performance since I came to Singapore.
Put all of those complain aside. I remember there is a theory in Buddhism, do not hold something too tight. Anton, has suggested me when he left SG.
You are looking for someone too hard, he said. Yes, and maybe it is not only about relationship, but also about everything that I am doing for now.
I know what I want to do, and I know I am on the way. Unfortunately, life is not all about what we want, and our way. That's the reason I accept Jesus. I will surly leave no excuse to perform on my part. But the rest, I will leave it to the trust of the great love. For the people I encounter daily, I know you have guided me, and protected me. I trust that you will lead me to the place I supposed to be.
This the the exploration for today. I will write about my iCommu Trip and the novel I am working on later today.
Hope you have a nice day, too. My blog post readers.
No comments:
Post a Comment